Episodes
Friday Oct 15, 2010
Let It Go by e.e. cummings
Friday Oct 15, 2010
Friday Oct 15, 2010
let it go ‐ the
smashed word broken
open vow or
the oath cracked length
wise ‐ let it go it
was sworn to
go
let them go ‐ the
truthful liars and
the false fair friends
and the boths and
neithers ‐ you must let them go they
were born
to go
let all go ‐ the
big small middling
tall bigger really
the biggest and all
things ‐ let all go
dear
so comes love
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Click on the player to hear an audio version of this piece Let It GoFriday Oct 15, 2010
Dusk by Saki -- H.H. Munro
Friday Oct 15, 2010
Friday Oct 15, 2010
Norman Gortsby sat on a bench in the Park, with his back to a strip of bush-planted sward, fenced by the park railings, and the Row fronting him across a wide stretch of carriage drive. Hyde Park Corner, with its rattle and hoot of traffic, lay immediately to his right. It was some thirty minutes past six on an early March evening, and dusk had fallen heavily over the scene, dusk mitigated by some faint moonlight and many street lamps. There was a wide emptiness over road and sidewalk, and yet there were many unconsidered figures moving silently through the half-light, or dotted unobtrusively on bench and chair, scarcely to be distinguished from the shadowed gloom in which they sat.
The scene pleased Gortsby and harmonized with his present mood. Dusk, to his mind, was the hour of the defeated. Men and women, who had fought and lost, who hid their fallen fortunes and dead hopes as far as possible from the scrutiny of the curious, came forth in this hour of gloaming, when their shabby clothes and bowed shoulders and unhappy eyes might pass unnoticed, or, at any rate, unrecognized.
A king that is conquered must see strange looks, So bitter a thing is the heart of man.
The wanderers in the dusk did not choose to have strange looks fasten on them; therefore they came out in this bat-fashion, taking their pleasure sadly in a pleasure-ground that had emptied of its rightful occupants. Beyond the sheltering screen of bushes and palings came a realm of brilliant lights and noisy, rushing traffic. A blazing, many-tiered stretch of windows shone through the dusk and almost dispersed it, marking the haunts of those other people, who held their own in life's struggle, or at any rate had not had to admit failure. So Gortsby's imagination pictured things as he sat on his bench in the almost deserted walk. He was in the mood to count himself among the defeated. Money troubles did not press on him; had he so wished he could have strolled into the thoroughfares of light and noise, and taken his place among the jostling ranks of those who enjoyed prosperity or struggled for it. He had failed in a more subtle ambition, and for the moment he was heart sore and disillusionized, and not disinclined to take a certain cynical pleasure in observing and labeling his fellow wanderers as they went their ways in the dark stretches between the lamp-lights.
On the bench by his side sat an elderly gentleman with a drooping air of defiance that was probably the remaining vestige of self-respect in an individual who had ceased to defy successfully anybody or anything. His clothes could scarcely be called shabby, at least they passed muster in the half-light, but one's imagination could not have pictured the wearer embarking on the purchase of a half-crown box of chocolates or laying out ninepence on a carnation buttonhole. He belonged unmistakably to that forlorn orchestra to whose piping no one dances; he was one of the world's lamenters who induce no responsive weeping. As he rose to go Gortsby imagined him returning to a home circle where he was snubbed and of no account, or to some bleak lodging where his ability to pay a weekly bill was the beginning and end of the interest he inspired. His retreating figure vanished slowly into the shadows, and his place on the bench was taken almost immediately by a young man, fairly well dressed but scarcely more cheerful of mien than his predecessor. As if to emphasize the fact that the world went badly with him the new-corner unburdened himself of an angry and very audible expletive as he flung himself into the seat.
"You don't seem in a very good temper," said Gortsby, judging that he was expected to take due notice of the demonstration.
The young man turned to him with a look of disarming frankness which put him instantly on his guard.
"You wouldn't be in a good temper if you were in the fix I'm in," he said; "I've done the silliest thing I've ever done in my life."
"Yes?" said Gortsby dispassionately.
"Came up this afternoon, meaning to stay at the Patagonian Hotel in Berkshire Square," continued the young man; "when I got there I found it had been pulled down some weeks ago and a cinema theatre run up on the site. The taxi driver recommended me to another hotel some way off and I went there. I just sent a letter to my people, giving them the address, and then I went out to buy some soap - I'd forgotten to pack any and I hate using hotel soap. Then I strolled about a bit, had a drink at a bar and looked at the shops, and when I came to turn my steps back to the hotel I suddenly realized that I didn't remember its name or even what street it was in. There's a nice predicament for a fellow who hasn't any friends or connections in London! Of course I can wire to my people for the address, but they won't have got my letter till to-morrow; meantime I'm without any money, came out with about a shilling on me, which went in buying the soap and getting the drink, and here I am, wandering about with twopence in my pocket and nowhere to go for the night."
There was an eloquent pause after the story had been told. "I suppose you think I've spun you rather an impossible yarn," said the young man presently, with a suggestion of resentment in his voice.
"Not at all impossible," said Gortsby judicially; "I remember doing exactly the same thing once in a foreign capital, and on that occasion there were two of us, which made it more remarkable. Luckily we remembered that the hotel was on a sort of canal, and when we struck the canal we were able to find our way back to the hotel."
The youth brightened at the reminiscence. "In a foreign city I wouldn't mind so much," he said; "one could go to one's Consul and get the requisite help from him. Here in one's own land one is far more derelict if one gets into a fix. Unless I can find some decent chap to swallow my story and lend me some money I seem likely to spend the night on the Embankment. I'm glad, anyhow, that you don't think the story outrageously improbable."
He threw a good deal of warmth into the last remark, as though perhaps to indicate his hope that Gortsby did not fall far short of the requisite decency.
"Of course," said Gortsby slowly, "the weak point of your story is that you can't produce the soap."
The young man sat forward hurriedly, felt rapidly in the pockets of his overcoat, and then jumped to his feet.
"I must have lost it," he muttered angrily.
"To lose an hotel and a cake of soap on one afternoon suggests willful carelessness," said Gortsby, but the young man scarcely waited to hear the end of the remark. He flitted away down the path, his head held high, with an air of somewhat jaded jauntiness.
"It was a pity," mused Gortsby; "the going out to get one's own soap was the one convincing touch in the whole story, and yet it was just that little detail that brought him to grief. If he had had the brilliant forethought to provide himself with a cake of soap, wrapped and sealed with all the solicitude of the chemist's counter, he would have been a genius in his particular line. In his particular line genius certainly consists of an infinite capacity for taking precautions."
With that reflection Gortsby rose to go; as he did so an exclamation of concern escaped him. Lying on the ground by the side of the bench was a small oval packet, wrapped and sealed with the solicitude of a chemist's counter. It could be nothing else but a cake of soap, and it had evidently fallen out of the youth's overcoat pocket when he flung himself down on the seat. In another moment Gortsby was scudding along the dusk- shrouded path in anxious quest for a youthful figure in a light overcoat. He had nearly given up the search when he caught sight of the object of his pursuit standing irresolutely on the border of the carriage drive, evidently uncertain whether to strike across the Park or make for the bustling pavements of Knightsbridge. He turned round sharply with an air of defensive hostility when he found Gortsby hailing him.
"The important witness to the genuineness of your story has turned up," said Gortsby, holding out the cake of soap; "it must have slid out of your overcoat pocket when you sat down on the seat. I saw it on the ground after you left. You must excuse my disbelief, but appearances were really rather against you, and now, as I appealed to the testimony of the soap I think I ought to abide by its verdict. If the loan of a sovereign is any good to you - "
The young man hastily removed all doubt on the subject by pocketing the coin.
"Here is my card with my address," continued Gortsby; "any day this week will do for returning the money, and here is the soap - don't lose it again it's been a good friend to you."
"Lucky thing your finding it," said the youth, and then, with a catch in his voice, he blurted out a word or two of thanks and fled headlong in the direction of Knightsbridge.
"Poor boy, he as nearly as possible broke down," said Gortsby to himself. "I don't wonder either; the relief from his quandary must have been acute. It's a lesson to me not to be too clever in judging by circumstances."
As Gortsby retraced his steps past the seat where the little drama had taken place he saw an elderly gentleman poking and peering beneath it and on all sides of it, and recognized his earlier fellow occupant.
"Have you lost anything, sir?" he asked.
"Yes, sir, a cake of soap."
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Click on the player to hear an audio version of this piece DuskFriday Oct 15, 2010
Dulce Decorum Est by Wilford Owen
Friday Oct 15, 2010
Friday Oct 15, 2010
Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs,
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots,
But limped on, blood-shod. All went lame, all blind;
Drunk with fatigue; deaf even to the hoots
Of gas-shells dropping softly behind.
Gas! Gas! Quick, boys! — An ecstasy of fumbling
Fitting the clumsy helmets just in time,
But someone still was yelling out and stumbling
And flound'ring like a man in fire or lime. —
Dim through the misty panes and thick green light,
As under a green sea, I saw him drowning.
In all my dreams before my helpless sight
He plunges at me, guttering, choking, drowning.
If in some smothering dreams, you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin,
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs
Bitter as the cud
Of vile, incurable sores on innocent tongues, —
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie:
Dulce et decorum est pro patria mori.
(sweet and fitting it is to die for one's country.)
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Click on the player to hear an audio version of this piece Dulce Decorum EstWednesday Oct 13, 2010
Wilford Owen -- Biography Out Loud
Wednesday Oct 13, 2010
Wednesday Oct 13, 2010
Biography Out Loud
Considered to be the leading poet of World War I, he died a week before it ended. A telegram from the War Office in England notifying his mother of his death arrived as church bells were ringing, announcing the Armistice. He eventually became more famous than Sigfried Sassoon, the poet he most admired and emulated. When Sassoon returned from the war, this wounded soldier returned to the front in his place, hoping to continue to document the horrors of war. Who is this famous poet who died when only 25 years old? We’ll find out next on Biography Out Loud.
Wilford Owen is best known for his graphic World War I poetry, which told the story of gas warfare. In “Dulce Decorum Est” the famous line of “Gas! Gas! Quick boys!” is followed by a chilling description of a soldier dying from exposure to the deadly chemicals.While once a critic of the other soldiers, who he called “expressionless lumps” in a letter to his mother, Owen went through two traumatic episodes which changed his opinion of his brave compatriots. A mortar once exploded beneath him, throwing him in the air. He landed on the remains of a fellow officer. He was also trapped for several days behind enemy lines. Diagnosed with shell shock, he was sent back to England to recuperate. In the hospital in Edinburgh he met the famous poet Siegfried Sassoon. Owen greatly admired Sassoon, declaring he was not worthy to light Sassoon’s pipe. But with encouragement from Sassoon, Owens began expressing his disgust with war in his own poetry, eventually eclipsing the fame of his friend.
When Sassoon returned from the front, Owen threatened to return to continue to document the savagery of war. Sassoon threatened to stab Owen in the leg to keep him from going. Owen notified his friend of his return to France after the fact.
When crossing a canal with his regiment, his superior officer was killed. Owen took command, manned a machine gun and inflicted many casualties. He was shot and killed almost exactly one week to the hour before the Armistice, and his mother received notice of his death as the local church bells announced the end of the war.
Because of his injuries, Owen could have remained in England but chose to return and fight. Though only 25 years old, his poetry reflects not only the reality of the terrors of war, but illustrate Owen’s dedication to the cause. Only five of his poems were published before his death. Others were later released in a book called “Poems”.
His poem “Dulce Decorum Est” is based on the writings of Horace. The phrase translates into “sweet and fitting it is to die for one’s country.” Unlike Horace, who once admitted to throwing down his shield and running away from battle, Wilfred Owen fought, was injured and returned to fight again, eventually giving his life in sacrifice for his country.
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Click on the player to hear an audio version of this piece Wilford OwenTuesday Oct 12, 2010
Not Really Indecent
Tuesday Oct 12, 2010
Tuesday Oct 12, 2010
When I think back to what I wore in college, I’m not really sure why my wife ever married me. Most of us must have looked the same, but I was known around campus as the guy who walked around in Levi shorts with his boxers hanging out the bottom. I know that’s conjuring up a bad mental image, but I also wore a felt fedora. I don’t know why. I just thought I was being original just like all the other original people who looked just like me.
Decency really is a matter of perspective. My wife is a dancer, and the level of indecency backstage at a dance concert would shock most of us, but to the dancers the human body is their instrument. Changing clothes as fast as you can in front of everyone else is standard, because most of the time the dancers have to get right back on stage for the next number.
What is accepted in one part of the world can be vulgar in another part of the globe. Traditions from the past can seem barbaric, and who knows what the future will bring? When you think about what is decent and indecent, it really does come down to what are the accepted community standards.
When we consider what is a decent standard or living, it becomes even more specious. The word decorum is also another way to talk about what is proper or improper.
Decency can also be explained when we think about politeness, civility, modesty, integrity or honesty. It seems as a society we are less decent to each other, and it shows up in public discourse and in the newspapers and on television. There is an extraordinary clip on the Internet of a woman bashing a drive-up window and pulling the hair of the attendant because she couldn’t get what she wanted. It seems there really is no customer service these days, and it doesn’t seem to be a priority with most businesses. I wore a full scroungy beard this summer for a part I was playing at the Sundance Outdoor Theatre. I have never been treated with so much disrespect and unconcern. It makes me feel sorry for those who look different and are treated as inferior. It makes me wonder if Albert Einstein was wandering the streets today if he would be treated as a genius or a crazy homeless man. It really is a sad statement that after all the hate and division we have seen in the few thousand years of human history, we can’t let each other be what we are. Perhaps it just comes down to a basic insecurity with ourselves. We aren’t happy unless we are making others emulate our happiness.
When we apply the word decency to our standard of living, we tend to split into the regular divisions. A decent standard of living for you might be luxurious for someone else. When we think about the gap between the very poor and the very rich, we exist in a society which has begun to view people as disposable, instead of individuals. As a society, we ought to be able to find ways to train, educate, and motivate people to lift themselves from crushing poverty. But when it looks like someone will lose money and someone else gain, then the line has been drawn. I know there is a way to raise everyone, but we really aren’t interested in doing it, because we don’t want our own standard of living affected.
But what does it really take to have a decent standard of living? I think it includes shelter and food. It should include access to medical treatment. Is there really anyone we want to throw out into the street? But I already have a bad attitude about most of what has been proposed. If you don’t believe that, listen to my episode called “Spare Change” from “A Funny Thing Happened on the Way to Dane Allred”. Let’s just say I am not the best example of largess and compassion.
So that leads us to decorum. Can’t we at least be on our best behavior, exhibiting good manners and a respect for one another? The word restraint could be used to describe what would be considered proper. Why can’t we all just get along? It seems that these days, the more rude or crass you can be, the more accepted you become. Those who receive the attention today are those who seem to have no manners, no sense of etiquette or what is proper or improper. But then this point seems to contradict what I said earlier about letting people be themselves. Decency is a complicated proposition.
Don’t ask me to fix it. I’m the guy who used to have his underwear hanging out.
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Click on the player to hear an audio version of this piece Not Really IndecentSaturday Oct 09, 2010
Abundance Bargains Sept. 26
Saturday Oct 09, 2010
Saturday Oct 09, 2010
This is the entire program called Bargains from the broadcast of Abundance on Sept. 26.
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King Midas' Golden Touch by Jeanie Lang
Saturday Oct 09, 2010
Saturday Oct 09, 2010
Once upon a time the kingdom of Phrygia lacked a king, and in much perplexity, the people sought help from an oracle. The answer was very definite:
“The first man who enters your city riding in a car shall be your king.”
That day there came slowly jogging into the city in their heavy, wooden-wheeled wain, the peasant Gordias and his wife and son, whose destination was the marketplace, and whose business was to sell the produce of their little farm and vineyard—fowls, a goat or two, and a couple of skinsful of strong, purple-red wine. An eager crowd awaited their entry, and a loud shout of welcome greeted them. And their eyes grew round and their mouths fell open in amaze when they were hailed as King and Queen and Prince of Phrygia.
The gods had indeed bestowed upon Gordias, the low-born peasant, a surprising gift, but he showed his gratitude by dedicating his wagon to the deity of the oracle and tying it up in its place with the wiliest knot that his simple wisdom knew, pulled as tight as his brawny arms and strong rough hands could pull. Nor could anyone untie the famous Gordian knot, and therefore become, as the oracle promised, lord of all Asia, until centuries had passed, and Alexander the Great came to Phrygia and sliced through the knot with his all-conquering sword.
In time Midas, the son of Gordias, came to inherit the throne and crown of Phrygia. Like many another not born and bred to the purple, his honors sat heavily upon him. From the day that his father’s wain had entered the city amidst the acclamations of the people, he had learned the value of power, and therefore, from his boyhood onward, power, always more power, was what he coveted. Also his peasant father had taught him that gold could buy power, and so Midas ever longed for more gold, that could buy him a place in the world that no descendant of a long race of kings should be able to contest. And from Olympus the gods looked down and smiled, and vowed that Midas should have the chance of realising his heart’s desire.
Therefore one day when he and his court were sitting in the solemn state that Midas required, there rode into their midst, tipsily swaying on the back of a gentle full-fed old grey ass, ivy-crowned, jovial and foolish, the satyr Silenus, guardian of the young god Bacchus.
With all the deference due to the friend of a god Midas treated this disreputable old pedagogue, and for ten days and nights on end he feasted him royally. On the eleventh day Bacchus came in search of his preceptor, and in deep gratitude bade Midas demand of him what he would, because he had done Silenus honor when to dishonor him lay in his power.
Not even for a moment did Midas ponder.
“I would have gold,” he said hastily—“much gold. I would have that touch by which all common and valueless things become golden treasures.”
And Bacchus, knowing that here spoke the son of peasants who many times had gone empty to bed after a day of toilful striving on the rocky uplands of Phrygia, looked a little sadly in the eager face of Midas, and answered: “Be it as thou wilt. Thine shall be the golden touch.”
Then Bacchus and Silenus went away, a rout of singing revellers at their heels, and Midas quickly put to proof the words of Bacchus.
An olive tree grew near where he stood, and from it he picked a little twig decked with leaves of softest grey, and lo, it grew heavy as he held it, and glittered like a piece of his crown. He stooped to touch the green turf on which some fragrant violets grew, and turf grew into cloth of gold, and violets lost their fragrance and became hard, solid, golden things. He touched an apple whose cheek grew rosy in the sun, and at once it became like the golden fruit in the Garden of the Hesperides. The stone pillars of his palace as he brushed past them on entering, blazed like a sunset sky. The gods had not deceived him. Midas had the Golden Touch. Joyously he strode into the palace and commanded a feast to be prepared—a feast worthy of an occasion so magnificent.
But when Midas, with the healthy appetite of the peasant-born, would have eaten largely of the savory food that his cooks prepared, he found that his teeth only touched roast kid to turn it into a slab of gold, that garlic lost its flavor and became gritty as he chewed, that rice turned into golden grains, and curdled milk became a dower fit for a princess, entirely unnegotiable for the digestion of man. Baffled and miserable, Midas seized his cup of wine, but the red wine had become one with the golden vessel that held it; nor could he quench his thirst, for even the limpid water from the fountain was melted gold when it touched his dry lips. Only for a very few days was Midas able to bear the affliction of his wealth. There was nothing now for him to live for. He could buy the whole earth if he pleased, but even children shrank in terror from his touch, and hungry and thirsty and sick at heart he wearily dragged along his weighty robes of gold. Gold was power, he knew well, yet of what worth was gold while he starved? Gold could not buy him life and health and happiness.
In despair, at length he cried to the god who had given him the gift that he hated.
“Save me, O Bacchus!” he said. “A witless one am I, and the folly of my desire has been my undoing. Take away from me the accursed Golden Touch, and faithfully and well shall I serve thee forever.”
Then Bacchus, very pitiful for him, told Midas to go to Sardis, the chief city of his worshippers, and to trace to its source the river upon which it was built. And in that pool, when he found it, he was to plunge his head, and so he would, for evermore, be freed from the Golden Touch.
It was a long journey that Midas then took, and a weary and a starving man was he when at length he reached the spring where the river Pactolus had its source. He crawled forward, and timidly plunged in his head and shoulders. Almost he expected to feel the harsh grit of golden water, but instead there was the joy he had known as a peasant boy when he laved his face and drank at a cool spring when his day’s toil was ended. And when he raised his face from the pool, he knew that his hateful power had passed from him, but under the water he saw grains of gold glittering in the sand, and from that time forth the river Pactolus was noted for its gold.
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Click on the player to hear an audio version of this piece King Midas' Golden TouchSaturday Oct 09, 2010
This World is Not Conclusion by Emily Dickenson
Saturday Oct 09, 2010
Saturday Oct 09, 2010
This world is not conclusion;
A sequel stands beyond,
Invisible, as music,
But positive, as sound.
It beckons and it baffles;
Philosophies don't know,
And through a riddle, at the last,
Sagacity must go.
To guess it puzzles scholars;
To gain it, men have shown
Contempt of generations,
And crucifixion known.
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Click on the player to hear an audio version of this piece The World Is Not ConclusionFriday Oct 08, 2010
The Blind Men and The Elephant by John Godfrey Saxe
Friday Oct 08, 2010
Friday Oct 08, 2010
It was six men of Indostan
To learning much inclined,
Who went to see the Elephant
(Though all of them were blind),
That each by observation
Might satisfy his mind.
The First approached the Elephant,
And happening to fall
Against his broad and sturdy side,
At once began to bawl:
"God bless me! but the Elephant
Is very like a WALL!"
The Second, feeling of the tusk,
Cried, "Ho, what have we here,
So very round and smooth and sharp?
To me 'tis mighty clear
This wonder of an Elephant
Is very like a SPEAR!"
The Third approached the animal,
And happening to take
The squirming trunk within his hands,
Thus boldly up and spake:
"I see," quoth he, "the Elephant
Is very like a SNAKE!"
The Fourth reached out an eager hand,
And felt about the knee
"What most this wondrous beast is like
Is mighty plain," quoth he:
"'Tis clear enough the Elephant
Is very like a TREE!"
The Fifth, who chanced to touch the ear,
Said: "E'en the blindest man
Can tell what this resembles most;
Deny the fact who can,
This marvel of an Elephant
Is very like a FAN!"
The Sixth no sooner had begun
About the beast to grope,
Than seizing on the swinging tail
That fell within his scope,
"I see," quoth he, "the Elephant
Is very like a ROPE!"
And so these men of Indostan
Disputed loud and long,
Each in his own opinion
Exceeding stiff and strong,
Though each was partly in the right,
And all were in the wrong!
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Click on the player to hear an audio version of this piece The Blind Men and the ElephantFriday Oct 08, 2010
A Happy Ending by Anton Chekhov
Friday Oct 08, 2010
Friday Oct 08, 2010
LYUBOV GRIGORYEVNA, a substantial, buxom lady of forty who undertook matchmaking and many other matters of which it is usual to speak only in whispers, had come to see Stytchkin, the head guard, on a day when he was off duty. Stytchkin, somewhat embarrassed, but, as always, grave, practical, and severe, was walking up and down the room, smoking a cigar and saying:
"Very pleased to make your acquaintance. Semyon Ivanovitch recommended you on the ground that you may be able to assist me in a delicate and very important matter affecting the happiness of my life. I have, Lyubov Grigoryevna, reached the age of fifty-two; that is a period of life at which very many have already grown-up children. My position is a secure one. Though my fortune is not large, yet I am in a position to support a beloved being and children at my side. I may tell you between ourselves that apart from my salary I have also money in the bank which my manner of living has enabled me to save. I am a practical and sober man, I lead a sensible and consistent life, so that I may hold myself up as an example to many. But one thing I lack--a domestic hearth of my own and a partner in life, and I live like a wandering Magyar, moving from place to place without any satisfaction. I have no one with whom to take counsel, and when I am ill no one to give me water, and so on. Apart from that, Lyubov Grigoryevna, a married man has always more weight in society than a bachelor. . . . I am a man of the educated class, with money, but if you look at me from a point of view, what am I? A man with no kith and kin, no better than some Polish priest. And therefore I should be very desirous to be united in the bonds of Hymen--that is, to enter into matrimony with some worthy person."
"An excellent thing," said the matchmaker, with a sigh.
"I am a solitary man and in this town I know no one. Where can I go, and to whom can I apply, since all the people here are strangers to me? That is why Semyon Ivanovitch advised me to address myself to a person who is a specialist in this line, and makes the arrangement of the happiness of others her profession. And therefore I most earnestly beg you, Lyubov Grigoryevna, to assist me in ordering my future. You know all the marriageable young ladies in the town, and it is easy for you to accommodate me."
"I can. . . ."
"A glass of wine, I beg you. . . ."
With an habitual gesture the matchmaker raised her glass to her mouth and tossed it off without winking.
"I can," she repeated. "And what sort of bride would you like, Nikolay Nikolayitch?"
"Should I like? The bride fate sends me."
"Well, of course it depends on your fate, but everyone has his own taste, you know. One likes dark ladies, the other prefers fair ones."
"You see, Lyubov Grigoryevna," said Stytchkin, sighing sedately, "I am a practical man and a man of character; for me beauty and external appearance generally take a secondary place, for, as you know yourself, beauty is neither bowl nor platter, and a pretty wife involves a great deal of anxiety. The way I look at it is, what matters most in a woman is not what is external, but what lies within--that is, that she should have soul and all the qualities. A glass of wine, I beg. . . . Of course, it would be very agreeable that one's wife should be rather plump, but for mutual happiness it is not of great consequence; what matters is the mind. Properly speaking, a woman does not need mind either, for if she has brains she will have too high an opinion of herself, and take all sorts of ideas into her head. One cannot do without education nowadays, of course, but education is of different kinds. It would be pleasing for one's wife to know French and German, to speak various languages, very pleasing; but what's the use of that if she can't sew on one's buttons, perhaps? I am a man of the educated class: I am just as much at home, I may say, with Prince Kanitelin as I am with you here now. But my habits are simple, and I want a girl who is not too much a fine lady. Above all, she must have respect for me and feel that I have made her happiness."
"To be sure."
"Well, now as regards the essential. . . . I do not want a wealthy bride; I would never condescend to anything so low as to marry for money. I desire not to be kept by my wife, but to keep her, and that she may be sensible of it. But I do not want a poor girl either. Though I am a man of means, and am marrying not from mercenary motives, but from love, yet I cannot take a poor girl, for, as you know yourself, prices have gone up so, and there will be children."
"One might find one with a dowry," said the matchmaker.
"A glass of wine, I beg. . . ."
There was a pause of five minutes.
The matchmaker heaved a sigh, took a sidelong glance at the guard, and asked:
"Well, now, my good sir . . . do you want anything in the bachelor line? I have some fine bargains. One is a French girl and one is a Greek. Well worth the money."
The guard thought a moment and said:
"No, I thank you. In view of your favorable disposition, allow me to enquire now how much you ask for your exertions in regard to a bride?"
"I don't ask much. Give me twenty-five roubles and the stuff for a dress, as is usual, and I will say thank you . . . but for the dowry, that's a different account."
Stytchkin folded his arms over his chest and fell to pondering in silence. After some thought he heaved a sigh and said:
"That's dear. . . ."
"It's not at all dear, Nikolay Nikolayitch! In old days when there were lots of weddings one did do it cheaper, but nowadays what are our earnings? If you make fifty roubles in a month that is not a fast, you may be thankful. It's not on weddings we make our money, my good sir."
Stytchkin looked at the matchmaker in amazement and shrugged his shoulders.
"H'm! . . . Do you call fifty roubles little?" he asked.
"Of course it is little! In old days we sometimes made more than a hundred."
"H'm! I should never have thought it was possible to earn such a sum by these jobs. Fifty roubles! It is not every man that earns as much! Pray drink your wine. . . ."
The matchmaker drained her glass without winking. Stytchkin looked her over from head to foot in silence, then said:
"Fifty roubles. . . . Why, that is six hundred roubles a year. . . . Please take some more. . . With such dividends, you know, Lyubov Grigoryevna, you would have no difficulty in making a match for yourself. . . ."
"For myself," laughed the matchmaker, "I am an old woman."
"Not at all. . . . You have such a figure, and your face is plump and fair, and all the rest of it."
The matchmaker was embarrassed. Stytchkin was also embarrassed and sat down beside her.
"You are still very attractive," said he; "if you met with a practical, steady, careful husband, with his salary and your earnings you might even attract him very much, and you'd get on very well together. . . ."
"Goodness knows what you are saying, Nikolay Nikolayitch."
"Well, I meant no harm. . . ."
A silence followed. Stytchkin began loudly blowing his nose, while the matchmaker turned crimson, and looking bashfully at him, asked:
"And how much do you get, Nikolay Nikolayitch?"
"I? Seventy-five roubles, besides tips. . . . Apart from that we make something out of candles and hares."
"You go hunting, then?"
"No. Passengers who travel without tickets are called hares with us."
Another minute passed in silence. Stytchkin got up and walked about the room in excitement.
"I don't want a young wife," said he. "I am a middle-aged man, and I want someone who . . . as it might be like you . . . staid and settled and a figure something like yours. . . ."
"Goodness knows what you are saying . . ." giggled the matchmaker, hiding her crimson face in her kerchief.
"There is no need to be long thinking about it. You are after my own heart, and you suit me in your qualities. I am a practical, sober man, and if you like me . . . what could be better? Allow me to make you a proposal!"
The matchmaker dropped a tear, laughed, and, in token of her consent, clinked glasses with Stytchkin.
"Well," said the happy railway guard, "now allow me to explain to you the behaviour and manner of life I desire from you. . . . I am a strict, respectable, practical man. I take a gentlemanly view of everything. And I desire that my wife should be strict also, and should understand that to her I am a benefactor and the foremost person in the world."
He sat down, and, heaving a deep sigh, began expounding to his bride-elect his views on domestic life and a wife's duties.
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