Episodes
Tuesday Aug 23, 2011
White Fang by Jack London -- Part Five/ Chapter Two
Tuesday Aug 23, 2011
Tuesday Aug 23, 2011
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CHAPTER II—THE SOUTHLAND
White Fang landed from the steamer in San Francisco. He was appalled. Deep in him, below any reasoning process or act of consciousness, he had associated power with godhead. And never had the white men seemed such marvelous gods as now, when he trod the slimy pavement of San Francisco. The log cabins he had known were replaced by towering buildings. The streets were crowded with perils—wagons, carts, automobiles; great, straining horses pulling huge trucks; and monstrous cable and electric cars hooting and clanging through the midst, screeching their insistent menace after the manner of the lynxes he had known in the northern woods.
All this was the manifestation of power. Through it all, behind it all, was man, governing and controlling, expressing himself, as of old, by his mastery over matter. It was colossal, stunning. White Fang was awed. Fear sat upon him. As in his cub hood he had been made to feel his smallness and puniness on the day he first came in from the Wild to the village of Grey Beaver, so now, in his full-grown stature and pride of strength, he was made to feel small and puny. And there were so many gods! He was made dizzy by the swarming of them. The thunder of the streets smote upon his ears. He was bewildered by the tremendous and endless rush and movement of things. As never before, he felt his dependence on the love-master, close at whose heels he followed, no matter what happened never losing sight of him.
But White Fang was to have no more than a nightmare vision of the city—an experience that was like a bad dream, unreal and terrible, that haunted him for long after in his dreams. He was put into a baggage-car by the master, chained in a corner in the midst of heaped trunks and valises. Here a squat and brawny god held sway, with much noise, hurling trunks and boxes about, dragging them in through the door and tossing them into the piles, or flinging them out of the door, smashing and crashing, to other gods who awaited them.
And here, in this inferno of luggage, was White Fang deserted by the master. Or at least White Fang thought he was deserted, until he smelled out the master’s canvas clothes-bags alongside of him, and proceeded to mount guard over them.
“’Bout time you come,” growled the god of the car, an hour later, when Weedon Scott appeared at the door. “That dog of yourn won’t let me lay a finger on your stuff.”
White Fang emerged from the car. He was astonished. The nightmare city was gone. The car had been to him no more than a room in a house, and when he had entered it the city had been all around him. In the interval the city had disappeared. The roar of it no longer dinned upon his ears. Before him was smiling country, streaming with sunshine, lazy with quietude. But he had little time to marvel at the transformation. He accepted it as he accepted all the unaccountable doings and manifestations of the gods. It was their way.
There was a carriage waiting. A man and a woman approached the master. The woman’s arms went out and clutched the master around the neck—a hostile act! The next moment Weedon Scott had torn loose from the embrace and closed with White Fang, who had become a snarling, raging demon.
“It’s all right, mother,” Scott was saying as he kept tight hold of White Fang and placated him. “He thought you were going to injure me, and he wouldn’t stand for it. It’s all right. It’s all right. He’ll learn soon enough.”
“And in the meantime I may be permitted to love my son when his dog is not around,” she laughed, though she was pale and weak from the fright.
She looked at White Fang, who snarled and bristled and glared malevolently.
“He’ll have to learn, and he shall, without postponement,” Scott said.
He spoke softly to White Fang until he had quieted him, then his voice became firm.
“Down, sir! Down with you!”
This had been one of the things taught him by the master, and White Fang obeyed, though he lay down reluctantly and sullenly.
“Now, mother.”
Scott opened his arms to her, but kept his eyes on White Fang.
“Down!” he warned. “Down!”
White Fang, bristling silently, half-crouching as he rose, sank back and watched the hostile act repeated. But no harm came of it, nor of the embrace from the strange man-god that followed. Then the clothes-bags were taken into the carriage, the strange gods and the love-master followed, and White Fang pursued, now running vigilantly behind, now bristling up to the running horses and warning them that he was there to see that no harm befell the god they dragged so swiftly across the earth.
At the end of fifteen minutes, the carriage swung in through a stone gateway and on between a double row of arched and interlacing walnut trees. On either side stretched lawns, their broad sweep broken here and there by great sturdy-limbed oaks. In the near distance, in contrast with the young-green of the tended grass, sunburnt hay-fields showed tan and gold; while beyond were the tawny hills and upland pastures. From the head of the lawn, on the first soft swell from the valley-level, looked down the deep-porched, many-windowed house.
Little opportunity was given White Fang to see all this. Hardly had the carriage entered the grounds, when he was set upon by a sheep-dog, bright-eyed, sharp-muzzled, righteously indignant and angry. It was between him and the master, cutting him off. White Fang snarled no warning, but his hair bristled as he made his silent and deadly rush. This rush was never completed. He halted with awkward abruptness, with stiff fore-legs bracing himself against his momentum; almost sitting down on his haunches, so desirous was he of avoiding contact with the dog he was in the act of attacking. It was a female, and the law of his kind thrust a barrier between. For him to attack her would require nothing less than a violation of his instinct.
But with the sheep-dog it was otherwise. Being a female, she possessed no such instinct. On the other hand, being a sheep-dog, her instinctive fear of the Wild, and especially of the wolf, was unusually keen. White Fang was to her a wolf, the hereditary marauder who had preyed upon her flocks from the time sheep were first herded and guarded by some dim ancestor of hers. And so, as he abandoned his rush at her and braced himself to avoid the contact, she sprang upon him. He snarled involuntarily as he felt her teeth in his shoulder, but beyond this made no offer to hurt her. He backed away, stiff-legged with self-consciousness, and tried to go around her. He dodged this way and that, and curved and turned, but to no purpose. She remained always between him and the way he wanted to go.
“Here, Collie!” called the strange man in the carriage.
Weedon Scott laughed.
“Never mind, father. It is good discipline. White Fang will have to learn many things, and it’s just as well that he begins now. He’ll adjust himself all right.”
The carriage drove on, and still Collie blocked White Fang’s way. He tried to outrun her by leaving the drive and circling across the lawn but she ran on the inner and smaller circle, and was always there, facing him with her two rows of gleaming teeth. Back he circled, across the drive to the other lawn, and again she headed him off.
The carriage was bearing the master away. White Fang caught glimpses of it disappearing amongst the trees. The situation was desperate. He essayed another circle. She followed, running swiftly. And then, suddenly, he turned upon her. It was his old fighting trick. Shoulder to shoulder, he struck her squarely. Not only was she overthrown. So fast had she been running that she rolled along, now on her back, now on her side, as she struggled to stop, clawing gravel with her feet and crying shrilly her hurt pride and indignation.
White Fang did not wait. The way was clear, and that was all he had wanted. She took after him, never ceasing her outcry. It was the straightaway now, and when it came to real running, White Fang could teach her things. She ran frantically, hysterically, straining to the utmost, advertising the effort she was making with every leap: and all the time White Fang slid smoothly away from her silently, without effort, gliding like a ghost over the ground.
As he rounded the house to the porte-cochère, he came upon the carriage. It had stopped, and the master was alighting. At this moment, still running at top speed, White Fang became suddenly aware of an attack from the side. It was a deer-hound rushing upon him. White Fang tried to face it. But he was going too fast, and the hound was too close. It struck him on the side; and such was his forward momentum and the unexpectedness of it, White Fang was hurled to the ground and rolled clear over. He came out of the tangle a spectacle of malignancy, ears flattened back, lips writhing, nose wrinkling, his teeth clipping together as the fangs barely missed the hound’s soft throat.
The master was running up, but was too far away; and it was Collie that saved the hound’s life. Before White Fang could spring in and deliver the fatal stroke, and just as he was in the act of springing in, Collie arrived. She had been out-maneuvered and out-run, to say nothing of her having been unceremoniously tumbled in the gravel, and her arrival was like that of a tornado—made up of offended dignity, justifiable wrath, and instinctive hatred for this marauder from the Wild. She struck White Fang at right angles in the midst of his spring, and again he was knocked off his feet and rolled over.
The next moment the master arrived, and with one hand held White Fang, while the father called off the dogs.
“I say, this is a pretty warm reception for a poor lone wolf from the Arctic,” the master said, while White Fang calmed down under his caressing hand. “In all his life he’s only been known once to go off his feet, and here he’s been rolled twice in thirty seconds.”
The carriage had driven away, and other strange gods had appeared from out the house. Some of these stood respectfully at a distance; but two of them, women, perpetrated the hostile act of clutching the master around the neck. White Fang, however, was beginning to tolerate this act. No harm seemed to come of it, while the noises the gods made were certainly not threatening. These gods also made overtures to White Fang, but he warned them off with a snarl, and the master did likewise with word of mouth. At such times White Fang leaned in close against the master’s legs and received reassuring pats on the head.
The hound, under the command, “Dick! Lie down, sir!” had gone up the steps and lain down to one side of the porch, still growling and keeping a sullen watch on the intruder. Collie had been taken in charge by one of the woman-gods, who held arms around her neck and petted and caressed her; but Collie was very much perplexed and worried, whining and restless, outraged by the permitted presence of this wolf and confident that the gods were making a mistake.
All the gods started up the steps to enter the house. White Fang followed closely at the master’s heels. Dick, on the porch, growled, and White Fang, on the steps, bristled and growled back.
“Take Collie inside and leave the two of them to fight it out,” suggested Scott’s father. “After that they’ll be friends.”
“Then White Fang, to show his friendship, will have to be chief mourner at the funeral,” laughed the master.
The elder Scott looked incredulously, first at White Fang, then at Dick, and finally at his son.
“You mean . . .?”
Weedon nodded his head. “I mean just that. You’d have a dead Dick inside one minute—two minutes at the farthest.”
He turned to White Fang. “Come on, you wolf. It’s you that’ll have to come inside.”
White Fang walked stiff-legged up the steps and across the porch, with tail rigidly erect, keeping his eyes on Dick to guard against a flank attack, and at the same time prepared for whatever fierce manifestation of the unknown that might pounce out upon him from the interior of the house. But no thing of fear pounced out, and when he had gained the inside he scouted carefully around, looking at it and finding it not. Then he lay down with a contented grunt at the master’s feet, observing all that went on, ever ready to spring to his feet and fight for life with the terrors he felt must lurk under the trap-roof of the dwelling.
LITERATURE OUT LOUD -- see and hear great literature Audio narrations with synchronized visual text
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Click on the player to hear an audio version of this piece.Friday Aug 19, 2011
Abundance Questions Aug 14
Friday Aug 19, 2011
Friday Aug 19, 2011
Go to daneallred.com for more selections, including other original pieces by Dane Allred and his audio versions of many famous novels, short stories and poems called Literature Out Loud, plus lots more!! This is the complete episode of Abundance called Questions from August 14.
LITERATURE OUT LOUD -- see and hear great literature Audio narrations with synchronized visual text
The Complete Collection of
SHAKESPEARE'S SONNETS
all 154 poems $3.99 DVD with FREE shipping
Essential Oils -- create your own business -- click on the logo to begin
Click on the player below to hear the audio version of this episode.Wednesday Aug 17, 2011
Sonnet Twenty by William Shakespeare
Wednesday Aug 17, 2011
Wednesday Aug 17, 2011
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Sonnet XX
by William Shakespeare
A woman's face with Nature's own hand painted
Hast thou, the master-mistress of my passion;
A woman's gentle heart, but not acquainted
With shifting change, as is false women's fashion;
An eye more bright than theirs, less false in rolling,
Gilding the object whereupon it gazeth;
A man in hue, all 'hues' in his controlling,
Much steals men's eyes and women's souls amazeth.
And for a woman wert thou first created;
Till Nature, as she wrought thee, fell a-doting,
And by addition me of thee defeated,
By adding one thing to my purpose nothing.
But since she prick'd thee out for women's pleasure,
Mine be thy love and thy love's use their treasure.
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Sonnet 20
Wednesday Aug 17, 2011
Sonnet Nineteen by William Shakespeare
Wednesday Aug 17, 2011
Wednesday Aug 17, 2011
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Sonnet XIX
by William Shakespeare
Devouring Time, blunt thou the lion's paws,
And make the earth devour her own sweet brood;
Pluck the keen teeth from the fierce tiger's jaws,
And burn the long-lived phoenix in her blood;
Make glad and sorry seasons as thou fleets,
And do whate'er thou wilt, swift-footed Time,
To the wide world and all her fading sweets;
But I forbid thee one most heinous crime:
O, carve not with thy hours my love's fair brow,
Nor draw no lines there with thine antique pen;
Him in thy course untainted do allow
For beauty's pattern to succeeding men.
Yet, do thy worst, old Time: despite thy wrong,
My love shall in my verse ever live young.
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Sonnet 19
Wednesday Aug 17, 2011
Sonnet Eighteen by William Shakespeare
Wednesday Aug 17, 2011
Wednesday Aug 17, 2011
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Sonnet XVIII
by William Shakespeare
Shall I compare thee to a summer's day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer's lease hath all too short a date:
Sometime too hot the eye of heaven shines,
And oft is his gold complexion dimm'd;
And every fair from fair sometime declines,
By chance or nature's changing course untrimm'd;
But thy eternal summer shall not fade
Nor lose possession of that fair thou ow’st;
Nor shall Death brag thou wander'st in his shade,
When in eternal lines to time thou growest:
So long as men can breathe or eyes can see,
So long lives this and this gives life to thee.
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Sonnet 18
Tuesday Aug 16, 2011
Sonnet Seventeen by William Shakespeare
Tuesday Aug 16, 2011
Tuesday Aug 16, 2011
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Sonnet XVII
by William Shakespeare
Who will believe my verse in time to come,
If it were fill'd with your most high deserts?
Though yet, heaven knows, it is but as a tomb
Which hides your life and shows not half your parts.
If I could write the beauty of your eyes
And in fresh numbers number all your graces,
The age to come would say 'This poet lies:
Such heavenly touches ne'er touch'd earthly faces.'
So should my papers yellow'd with their age
Be scorn'd like old men of less truth than tongue,
And your true rights be term'd a poet's rage
And stretched metre of an antique song:
But were some child of yours alive that time,
You should live twice; in it and in my rhyme.
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Sonnet 17
Tuesday Aug 16, 2011
Sonnet Sixteen by William Shakespeare
Tuesday Aug 16, 2011
Tuesday Aug 16, 2011
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Sonnet XVI
by William Shakespeare
But wherefore do not you a mightier way
Make war upon this bloody tyrant, Time?
And fortify yourself in your decay
With means more blessed than my barren rhyme?
Now stand you on the top of happy hours,
And many maiden gardens yet unset
With virtuous wish would bear your living flowers,
Much liker than your painted counterfeit:
So should the lines of life that life repair,
Which this, Time's pencil, or my pupil pen,
Neither in inward worth nor outward fair,
Can make you live yourself in eyes of men.
To give away yourself keeps yourself still,
And you must live, drawn by your own sweet skill.
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Sonnet 16
Monday Aug 15, 2011
Bicycle Crashes
Monday Aug 15, 2011
Monday Aug 15, 2011
Go to daneallred.com for more selections, including other original pieces by Dane Allred and his audio versions of many famous novels, short stories and poems called Literature Out Loud, plus lots more!!
Bicycle Crashes
As a kid, I was always crashing my bike - into cars. I know that I crashed my bike at least 5 times into just as many cars, which were usually just innocently parked on the street. The sad part of the story is that most of these crashes could probably have been prevented if I had only lost my fascination with my back wheel.
I loved to watch it turn. As an adult, I'm still too preoccupied with the traffic behind me, and the only correction I remember receiving about driving from my Dad was "Stop looking in the rearview mirror.”
For some odd reason, I remember being fascinated with the wheel under and behind me. Maybe I was worried it wasn't working right, or I was looking for the source of a strange noise. But I really think it was just my excitement about the mechanical marvel that is a bicycle.
The saddest part of the story is that I actually looked at the back wheel when I was close to a car, and then suddenly, I was on the ground and wondering what had happened. I don't think I ever stopped to think about the car owners, to tell them about what I had done to their car. I'm sure I slashed tires and dented fenders, but usually I was limping home instead of wondering whose car was the latest victim.
The worst case ever was when I went over the handlebars onto the street. The only bad thing about being male is the dangling dangers which can suddenly meet up with sharp handlebar bolts. I won't bother to explain if you don't already get it, but suffice it to say that I didn't report this accident to my mother. I was too embarrassed, being only eight years old.
The only other serious injury from bicycling came from making the mistake of riding barefooted. You really don't think about how hard the asphalt is until you drag your big toe across a strip of it. I must have dragged my toe for a foot or more, and it was excruciating. It swelled up and turned blue. I had a ridiculously painful throbbing later and the toenail had to be pierced with another hot needle to release the blood behind it. The toenail eventually fell off, and a replacement grew back. It was quite attractive, if I do say so myself.
I wish I could say that my bicycle incidents stopped when I graduated to the hottest thing of its day -- the ten-speed bicycle. Back then, they were incredibly heavy and unstable compared with today's bikes. I even got to repaint my bike after it had been in enough crashes. It was a candy-apple red with sparkles in it that started to peel off almost as soon as it was painted. But that bike saw me through thick and thin.
One way to certainly injure myself was learning to drive this newly acquired machine with no hands. The older guys did it, and based on my accidents when I was younger, I tried to make sure I was always far away from cars when I practiced this precision-balanced insanity. I learned to be able to ride with my arms folded across my chest as I traveled down Redwood Road, one of the highest-traffic roads in my area. Going fast always helped, but when you crashed, it hurt more.
We lived on a pretty steep hill in Bennion, which was great when you were going downhill and not so great going uphill. The first time I went too fast down the hill I also tried to turn on the canal road. The good news was that I was already past the canal as I realized I was going too fast. The gravel on the other side of the road slipped my wheels out from under me as soon as I made the mistake of putting on the brakes. The bike went sideways right into the large ditch. I slid for a while on the road before also being unceremoniously dumped into the ditch, having the unique experience of dragging my palms across two or three feet of gravel before my ignominious landing. I sat at the bottom of a deep ditch with bleeding palms filled with gravel, wondering how long it would take me to limp back up the hill and get bandaged.
Or I could just tough it out, wipe the blood on my pants and get on my way to wherever it was I was hurrying to so fast. I think I must have been going to baseball practice, so I took it like a man. I gingerly rubbed my scraped up hands on my pants until most of the gravel was gone and then went to practice.
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Friday Aug 12, 2011
Abundance Potential Aug 1
Friday Aug 12, 2011
Friday Aug 12, 2011
Go to daneallred.com for more selections, including other original pieces by Dane Allred and his audio versions of many famous novels, short stories and poems called Literature Out Loud, plus lots more!! This is the complete episode of Abundance called Potential from August 1st.
LITERATURE OUT LOUD -- see and hear great literature Audio narrations with synchronized visual text
The Complete Collection of
SHAKESPEARE'S SONNETS
all 154 poems $3.99 DVD with FREE shipping
Click on Amazon, Paypal or Google Payments button to order
Essential Oils -- create your own business -- click on the logo to begin
Click on the player to hear the audio version of this episode.Friday Aug 12, 2011
Sonnet Fifteen by William Shakespeare
Friday Aug 12, 2011
Friday Aug 12, 2011
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Sonnet XV
by William Shakespeare
When I consider everything that grows
Holds in perfection but a little moment,
That this huge stage presenteth nought but shows
Whereon the stars in secret influence comment;
When I perceive that men as plants increase,
Cheered and cheque'd even by the self-same sky,
Vaunt in their youthful sap, at height decrease,
And wear their brave state out of memory;
Then the conceit of this inconstant stay
Sets you most rich in youth before my sight,
Where wasteful Time debateth with Decay,
To change your day of youth to sullied night;
And all in war with Time for love of you,
As he takes from you, I engraft you new.
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Sonnet 15